ONLi R&G - October 2nd-4th

FALL WINTER _ 2026

The Fall/Winter capsule explores the expansion of the uniform—building upon our approach to creating clothing that exists between everyday function and formal dress.

At the center of the collection is the return of the Uniform Pant, alongside the introduction of the Uniform Pant 2.0, an evolution of the original silhouette. Rather than replacing the foundation, 2.0 expands upon it—reflecting the idea that a uniform can continuously adapt while maintaining its identity.

The collection extends this language into a broader wardrobe of black essentials, introducing pieces such as the trench coat and black button-up. Together, these garments create a system of dressing rather than individual statements: pieces designed to be repeated, layered, and worn interchangeably throughout daily life.

Black becomes a constant throughout the capsule, allowing silhouette, proportion, construction, and movement to become the focus. Traditionally formal garments are reconsidered through the lens of everyday wear, removing the boundary between being dressed and simply getting dressed.

The campaign reflects this same philosophy. The figures are presented collectively, each wearing variations of a shared visual language. Individuality is not created through excess, but through the way each person inhabits the uniform.

ASSEMBLY MACHINE _ MR | 2026

The machine is positioned within the space as both an industrial object and a sculpture, raising a conversation around the often-unseen processes behind apparel manufacturing. Clothing is typically encountered only after it has been completed—pressed, photographed, displayed, and ultimately worn. The systems of repetition, machinery, labor, construction, and decision-making that produce the garment are largely removed from the final experience.

By removing an assembly machine from its original industrial environment and placing it alongside finished  garments and artwork, the installation brings process and product into the same space. The machine is no longer solely understood through its original function. 

This relationship extends the philosophy of the Uniform. A uniform is built through repetition: a familiar garment returned to again and again, refined through material, proportion, construction, and use. Manufacturing operates through a similar language. Repetition does not necessarily remove individuality; it can become a method for developing consistency, identity, and form.

Within the installation, the machine becomes a physical representation of that idea. Painting, garment, and machinery are presented not as separate disciplines, but as different stages of making. Each begins with material, moves through a process of construction, and ultimately becomes an object.

The work asks the viewer to consider apparel beyond the finished garment—to recognize that there is an art not only in what we wear, but in the systems, tools, repetition, and processes that allow it to exist.